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Bachelor of Applied Music (Performance)

exit point after 2 years with Associate Degree in Applied Music (Performance)

Course Code: BAM91
CRICOS Code: 052117A
Centre: Performing Arts
Location: Whitehorse Campus
Enquiries: 1300 BOX HILL (1300 269 445)
Email: courseinfo@bhtafe.edu.au
Study Area: Music


Jump to: Subjects | Subject Details

What does this course involve?

If musical performance is your talent and passion, this course specialises in commercial music including jazz, popular and contemporary styles, with individual tuition by industry experts, and an emphasis on ensemble playing.

Where most music degrees require students to focus on jazz or classical styles, the focus of this course is on original and innovative performance. Playing in a wide variety of groups and solo situations, you will learn a range of repertoire for gigs, functions, recitals and events whilst developing your original material culminating in an extensive public recital/gig in the final year. Original work is encouraged but is supported by exposure to existing styles and conventions.

Supporting subjects incorporate technique classes, second study instruments, reading skills, improvisation, stagecraft, industry styles and ensembles. You will hone your craft with the ultimate aim of becoming a unique artist who has the versatility to perform in many situations and develop the innovation and creativity needed to become eminently employable in a rapidly changing and vibrant industry.

If you choose to, you can exit after two years with an Associate Degree.

This course is also available to international students.

What employment opportunities will I have?

There are many employment options within industries such as computer software, music synthesis and multimedia; advertising; writing and production; multimedia and live performance.

There are also pathways to teaching with the completion of this degree and further post-graduate study.


As a student, the Institute’s Employment Service is your first port of call for advice on gaining employment in this field, and can be contacted on
1300 BOX HILL (1300 269 445).

Accreditation

This course is accredited by the Victorian Office of Higher Education.

What further study options will I have?

Graduates of this course may apply for post-graduate study at other institutions. This includes post-graduate study in teaching and education.

Can I apply?

Current Year 12 students:

  • You must have successfully completed VCE with a study score of at least 20 in English
  • Additional consideration will be given for achievement in music subjects
  • You must have a demonstrated aptitude (via an audition/musicianship test in late November and early December) in music performance

Non-Year 12 applicants:

  • You must have current employment or experience in industry
  • You must be 21 years or more (at Jan 1 in the commencement year)
  • You must have a demonstrated aptitude (via an audition/musicianship test in late November and early December) in music performance

How do I apply?

  • To apply for a full time position in this course you must use the Victorian Tertiary Admissions Centre (VTAC) process. Details of the VTAC application process are at www.vtac.edu.au and in the VTAC Guide, which is available from leading newsagents and libraries from August. If the Institute still has vacancies after the VTAC places have been offered, you will be able to apply directly to the Institute.

  • To apply for a part time place (or off campus place if applicable) in this course, you will need to contact the Institute directly.

  • Supplementary application requirements are necessary for this course. Please read the information contained in the selection process.

If you have any queries, please contact the Institute on 1300 BOX HILL (1300 269 445).

How will I be selected for this course?

  • Supplementary requirements to the application process apply:


    • To apply, contact the Centre for Performing Arts for a supplementary application form by:
      • downloading from here or
      • requesting via email performingarts@boxhillinstitute.edu.au or
      • phoning the centre on (03) 9286 9695

      On receipt of your completed application form, together with your audition fee, you will be notified of your interview time (held between late November and early December).
      • For the audition you should prepare two contrasting works showing a variety of style and period on your chosen instrument or voice. As a guide, AMEB grade 6 or equivalent is an expected minimum entry level. The program presented should be no more than 10 minutes long and the panel will reserve the right to hear selections only.

        You will also be asked to demonstrate technical work and attempt a sight-reading exercise and some basic aural recognition exercises. A drum kit, piano, microphone, amplifiers and stereo equipment will be provided but not instruments, leads, drumsticks, or accompanists.

        You may bring an accompanying band, but please advise us so that setup time can be catered for. Alternatively, you may choose to perform solo or with a tape or CD.

      • Musicianship test - during the audition, you will also be required to complete a musicianship test, the results of which may determine that you need to attend an intensive summer school in December before starting the degree program.

      • Interview - you will be asked a series of questions relating to your suitability for the course. You are expected to demonstrate a clear understanding of career goals and aptitude for the course of study including any relevant industry experience.

    • You are welcome to present testimonials and extra-curricular evidence at your interview.

Length of course

Full time - 3 years (you can exit after 2 years with the Associate Diploma)
Part time - 6 years (you can exit after 4 years with the Associate Diploma)

Where will I study?

Whitehorse Campus

What costs and other fees should I expect?

Self Funded  $AUD 10,800.00 per year. For information on tuition fees please refer to the document below. Fee information for Bachelor of Applied Music (Performance)

Click here to learn about scholarships that may be relevant to this course.

If you are an Australian citizen or permanent resident you may pay up to $10,800 per year of full time study. You may be eligible for FEE-HELP, which is an Australian Government loan scheme set up to enable you to defer part or all of your tuition fees until you are working and can afford to pay them back. For further information either visit www.goingtouni.com.au or call Box Hill Institute’s Higher Education Officer. (Fees subject to change in 2009)

How will I be assessed?

  • Oral presentation
  • Written assessment
  • Practical assessment
  • Project work
  • Examination or testing
  • Online Assessment

Will my previous experience or study count?

Recognition of Prior Learning (RPL) or Recognition of Current Competencies (RCC) takes into account the knowledge and skills you’ve already gained through your previous education and work. This may be through formal or informal training, paid or unpaid work experience, and can earn you credit if relevant to your chosen course.

Subjects

First Year Performance stream subjects

Two electives should also be selected from the elective list

MUZ101 Music language studies 1 52 hr
MUZ102 Music language studies 2 52 hr
MUZ103 Music technology 1 52 hr
MUZ104 Performance platforms 52 hr
MUZ113 Industry styles 1 39 hr
MUZ114 Industry styles 2 39 hr
MUZ115 Principal study 1 26 hr
MUZ116 Principal study 2 26 hr

Second Year Performance stream subjects

Two electives should also be selected from the elective list

MUZ201 Music industry studies 1 39 hr
MUZ202 Music industry studies 2 39 hr
MUZ211 Music language studies 3 52 hr
MUZ212 Music language studies 4 52 hr
MUZ213 Industry styles 3 52 hr
MUZ214 Industry styles 4 52 hr
MUZ215 Principal study 3 26 hr
MUZ216 Principal study 4 26 hr

Third Year Performance stream subjects

Two electives should also be selected from the elective list

MUZ301 Research and application of industry principles 1 52 hr
MUZ302 Research and application of industry principles 2 52 hr
MUZ311 Music language studies 5 52 hr
MUZ312 Music language studies 6 52 hr
MUZ314 Industry styles 6 39 hr
MUZ315 Principal study 5 26 hr
MUZ316 Principal study 6 26 hr
MUZ313 Industry styles 5 39 hr

Electives

MUZ252 Negotiated project 1 26 hr
MUZ253 Negotiated project 2 26 hr
MUZ152 Digital audio platforms 2 26 hr
MUZ245 Composition studies 1 26 hr
MUZ246 Composition studies 2 26 hr
MUZ249 Computer music production systems 1 26 hr
MUZ250 Computer music production systems 2 26 hr
MUZ143 Introduction to filmscoring 1 26 hr
MUZ144 Introduction to filmscoring 2 26 hr
MUZ121 Principles of songwriting 1 26 hr
MUZ122 Principles of songwriting 2 26 hr
MUZ221 Principles of songwriting 3 26 hr
MUZ222 Principles of songwriting 4 26 hr
MUZ145 Production principles 1 26 hr
MUZ146 Production principles 2 26 hr
MUZ247 Production styles 1 26 hr
MUZ248 Production styles 2 26 hr
MUZ243 Scoring for film and video 1 26 hr
MUZ244 Scoring for film and video 2 26 hr
MUZ151 Digital audio platforms 1 26 hr
MUZ251 Music publishing 26 hr

Subject Details

First Year Performance stream subjects

Two electives should also be selected from the elective list

MUZ101 – Music language studies 1 - (52 hours)

This is the first of six units of Music Language Studies. In this subject students will study aural and theoretical concepts, knowledge and skills in the context of developments in early Western music. Links will be made between music from these periods and contemporary music. Topics covered will include aural and theoretical recognition, notation and performance of intervals, scales, chords, melodies, rhythms, and four-part harmony. Students will also demonstrate an awareness of stylistic conventions, form, analysis, major composers and historical and social contexts of early Western music up to, and including, the Baroque period.

MUZ102 – Music language studies 2 - (52 hours)

This subject will build on the aural and theoretical concepts, knowledge and skills developed in Music Language Studies 1, by examining the use of similar musical elements in jazz genres from the last century. Other topics will include aural and theoretical recognition, notation and performance of scales, extended chords, chord progressions, rhythms and melodies derived from conventions in jazz; further harmonisation and an awareness of stylistic conventions, form, analysis, major composers and historical and social contexts of jazz in the 20th Century.

MUZ103 – Music technology 1 - (52 hours)

Students will acquire conventional keyboard techniques and knowledge and skills that enable the keyboard to be used as a tool for studying musical elements and as an interface with computer software. Students will learn basic performance on the keyboard to enable input for MIDI with the purpose of realisation of composition.

MUZ104 – Performance platforms - (52 hours)

This subject provides a performance platform for students to develop technical and interpretative skills in preparing and performing (or producing) solo and ensemble works to an audience. Through collaboration, students will develop the necessary skills and stagecraft to direct a cohesive performance. Performance of established repertoire as well as original material will be supported by students who are developing an understanding of the operation of sound reinforcement and recording systems, staging and lighting as related to live performance. Students will also be involved in a range of workshops which could include: choir, a cappella groups, rhythm-sections, guitar, keyboard, percussion, woodwind, brass, Big Band, funk groups and student run ensembles.

MUZ113 – Industry styles 1 - (39 hours)

This is the first of six units designed to prepare musicians with the comprehensive competencies required to perform in a variety of commercial styles suited to celebratory functions, formal ceremonial occasions and events and informal social gatherings. Students will work in designated band groups developing arrangements and repertoire, as well as learning an instrument other than the students’ specialist instrument.

MUZ114 – Industry styles 2 - (39 hours)

This subject proceeds directly from Industry Styles 1. Students will consolidate and expand repertoire and explore further musical, organisational and behavioural demands and expectations associated with different functions. Students will continue to arrange music and expand upon their knowledge of instruments that are unfamiliar to them.

MUZ115 – Principal study 1 - (26 hours)

This subject is the first of six sequential, and developmental, units of study that will prepare students for employment as professional performing musicians in the contemporary music industry. Students will progressively develop and expand both technique and repertoire on a principal study instrument or voice. Programs of instrumental or voice tuition will be developed for each student after analysis of their competencies on entering the course. Lessons will be delivered in a combination of weekly individual lessons, technique classes and additional master classes.

MUZ116 – Principal study 2 - (26 hours)

Principal Study 2
Students will extend and expand upon established concepts, knowledge and skills in instrumental or voice performance. Content will progress sequentially from the previous unit under the direction of specialist teachers in individual consultations with students. Lessons will be delivered in a combination of weekly individual lessons, technique classes and additional master classes.

Second Year Performance stream subjects

Two electives should also be selected from the elective list

MUZ201 – Music industry studies 1 - (39 hours)

In this subject students will learn to plan, organise, prepare, facilitate and present music to discriminating audiences. Students will develop confidence in undertaking self-initiated and self-directed work: the critical evaluation of this work, and the fundamental principles in small business organisation, management and administration.

MUZ202 – Music industry studies 2 - (39 hours)

This subject continues directly from Music Industry Studies 1. Students will develop greater maturity in undertaking self-initiated and self-directed work: the critical evaluation of this work, and the principles of more complex business organisational structures. In addition, the basics of project management will be introduced as a means to evaluate long-term sustainability of the small-business enterprise model.

MUZ211 – Music language studies 3 - (52 hours)

Students will expand their aural and theoretical recognition, knowledge and skills through progressive assignments in transcribing music; expand their harmonic practice and develop more sophisticated musical analysis skills in the context of the common practices used during the Classical and Romantic periods of Western music. Other topics will include further development in aural and theoretical recognition: notation and performance of scales, chords and modes in prescribed inversions, tonalities and patterns; more complex rhythmic passages in simple and compound metre; harmonisation as a process for ‘voicing’; the use of extended and altered chords and part writing conventions.

MUZ212 – Music language studies 4 - (52 hours)

Focusing on the musical developments in the 20th Century, students will acquire aural and theoretical skills that extend beyond the conventions and imperatives of diatonic music. The study will incorporate music from both western art music and rock and popular music, and will include topics such as aural and theoretical recognition: notation and performance of scales, chords and modes; tonalities and patterns as exhibited in twelve-tone music; the use of modes and polytonality, contemporary harmonic devices and the use of polyrhythm and mixed metre.

MUZ213 – Industry styles 3 - (52 hours)

Proceeding from Industry Styles 2, this subject will extend students’ knowledge and understanding of commercial styles of music including fusion and contemporary world-music styles. Students will also focus on improvisation skills in a range of jazz and contemporary styles, performance presentation skills, stagecraft and expand upon their knowledge of instruments that are unfamiliar to them.

MUZ214 – Industry styles 4 - (52 hours)

This subject will further extend students’ knowledge and understanding of commercial styles of music including fusion and contemporary world-music styles. Students will also focus on improvisation skills in a range of jazz and contemporary styles, performance presentation skills, stagecraft and expand upon their knowledge of instruments that are unfamiliar to them.

MUZ215 – Principal study 3 - (26 hours)

Students will consolidate and extend concepts, knowledge and skills in contemporary performance, developing more advanced skills in both technique and repertoire on a principal study instrument or voice. Content will progress sequentially from the previous unit under the direction of specialist teachers in individual consultations with students. Lessons will be delivered in a combination of weekly individual lessons, technique classes and additional master classes.

MUZ216 – Principal study 4 - (26 hours)

Students will consolidate and extend concepts, knowledge and skills in contemporary performance, further developing their skills in both technique and repertoire on a principal study instrument or voice. Content will progress sequentially from the previous unit under the direction of specialist teachers in individual consultations with students. Lessons will be delivered in a combination of weekly individual lessons, technique classes and additional master classes.

Third Year Performance stream subjects

Two electives should also be selected from the elective list

MUZ301 – Research and application of industry principles 1 - (52 hours)

Using collaborative, investigative, planning and management methods students will acquire and apply knowledge and skills that prepare them for entry into the music industry. Students will develop a three-tiered project incorporating team-based event management and planning, the planning of a self-promotional CD and the planning of a solo public event, students will integrate knowledge and skills that underlie production and management processes in the music industry. Students will also draft a significant research project relevant to individual goals, preferences and expertise.

MUZ302 – Research and application of industry principles 2 - (52 hours)

The plans for the three-tiered project incorporating team-based event management, a self-promotional CD and a solo public event developed during the first unit of this subject will be implemented. Students will gain practical experience in the music industry in a variety of situations including the development of a related business plan and the delivery of a short series of lessons in their area of expertise. The production of a researched and substantiated body of work will provide students with knowledge in their major area of study as preparation to enter the music industry.

MUZ311 – Music language studies 5 - (52 hours)

Students will build upon concepts, knowledge and skills acquired in previous studies by examining the use of similar musical elements in musical genres of the 20th century. Students will acquire an understanding of both commonalities and differences in the ways elements of music are used in the creation of different musical styles. Historical developments in music theatre, cabaret and popular music will be examined with reference to social, political and cultural influences. Students will gain insights into ways in which common musical elements are used to achieve diverse aesthetic and expressive outcomes. Students will learn how to write for 2 to 5 parts using a variety of chord voicings.

MUZ312 – Music language studies 6 - (52 hours)

In this subject, students will gain a more global understanding of the musical forces shaping contemporary musical practice. Students will be expected to build upon concepts, knowledge and skills acquired in previous studies by examining musical languages from other cultures and acknowledging their historical context. The history and aural components of this subject will focus specifically on the Classical music of North India; and harmony component is a continuation of the Berklee School of Music system of harmonic analysis.

MUZ314 – Industry styles 6 - (39 hours)

This subject continues to apply the content and procedures developed during Industry Styles 5 and draw to conclusion the processes by which students become industry ready performers. Students will also work on developing public speaking skills, the exercise of physical freedom in relation to the instrument and philosophical insights into the role of the arts in society and culture.

MUZ315 – Principal study 5 - (26 hours)

Students will consolidate and extend concepts, knowledge and skills in performing contemporary commercial music. In this unit students will be directed toward developing professional performance demeanour and stage etiquette on their principal instrument or voice. The use of performance focusing and motivational techniques will facilitate confidence and individuality. Students will consolidate highly integrated aesthetic and expressive interpretation and creativity. Lessons will be delivered in a combination of weekly individual lessons, technique classes and additional master classes.

MUZ316 – Principal study 6 - (26 hours)

In this last of six units, students will expand repertoire, acquire further technical facility and consolidate professional performance demeanour and stage etiquette on their principal instrument or voice. Lessons will be delivered in a combination of weekly individual lessons, technique classes and additional master classes.
The unit will culminate with the performance of final, 30-minute recital.

MUZ313 – Industry styles 5 - (39 hours)

This subject will focus on the student’s expansion of repertoire, refining their skills in professional performance demeanour, stage etiquette, music management and performance direction. Students will acquire performance focusing techniques and motivational attitudes that underlie confidence and individuality. Knowledge of instruments other than their specialist study will be applied in performance.

Electives

MUZ252 – Negotiated project 1 - (26 hours)

This subject involves close discussion and planning sessions in consultation with a supervisor who will approve an independent project or a group project in which participants' individual roles are clearly defined. The project may involve the planning and implementation of a public performance event, the development of a significant music industry initiative, collaboration with an affiliated industry group in producing a significant work or event, scoring for film, recording songs and original compositions, producing recordings for other students or the production of a significant music resource.

MUZ253 – Negotiated project 2 - (26 hours)

This subject involves close discussion and planning sessions in consultation with a supervisor who will approve an independent project or a group project in which participants' individual roles are clearly defined. Project 2 can be an extension of the activity commenced in Negotiated Project 1. The project may involve the planning and implementation of a public performance event, the development of a significant music industry initiative, collaboration with an affiliated industry group in producing a significant work or event, scoring for film, recording songs and original compositions, producing recordings for other students or the production of a significant music resource.

MUZ152 – Digital audio platforms 2 - (26 hours)

This subject is recommended for those who wish to extend knowledge and skills learnt in Digital Audio Platforms 1. The subject explores a range of computer music systems and software. Content will change from year to year depending on the latest tools available to assist musicians develop their artistic product.

MUZ245 – Composition studies 1 - (26 hours)

Students will undertake a thorough grounding in the structural components of composition: with a particular focus on contrapuntal writing techniques as a foundation for continuing study. Students will complete a series of composition exercises culminating in a short work for small ensemble, chamber or string orchestra.

MUZ246 – Composition studies 2 - (26 hours)

Students will continue to build upon previous skills by composing and arranging for the four main instrumental sections: woodwind, brass, percussion and strings. Through exercises and analyses in voicing, texture, timbral density and defined stylistic convention, students will acquire practical abilities in composing and arranging for small jazz combos and vocal groups.

MUZ249 – Computer music production systems 1 - (26 hours)

Students will study the application of computer hardware and software to assist them in realising their musical ideas. Students will learn to manipulate MIDI and audio data; develop basic skills in the interactive control of the computer in real-time; develop an introductory knowledge in the concepts of sound design, and become familiar with issues in non-linear music making.

MUZ250 – Computer music production systems 2 - (26 hours)

Students will begin to acquire skills in computer music programming as a means to integrate prior knowledge with the demands, and opportunities, in the emergent areas of sound design for the multimedia and telecommunication industries. Areas of study include digital signal processing and the expressive integration of different media.

MUZ143 – Introduction to filmscoring 1 - (26 hours)

Students will develop philosophical and musical concepts of the aesthetic role and function of music used in films between 1920-1950s. Students will acquire the capacity to evaluate film scores with reference to established conventions, including compositional techniques, and their application in defined social, historical and cultural contexts.

MUZ144 – Introduction to filmscoring 2 - (26 hours)

Students will study post-1950s film music genres to evaluate the role and function of music in various dramatic contexts. Students will also acquire knowledge of the way in which music is synchronised to film, and then consolidate this knowledge with several assignments in composing and synchronising music to short film excerpts.

MUZ121 – Principles of songwriting 1 - (26 hours)

This subject provides an analytical overview of the musical devices and conventions that exist in popular song forms and genres. Analysis of elements such as: melody, structure, rhythm, harmonic progression and style will inform the student in the composition of songs in designated popular song styles.

MUZ122 – Principles of songwriting 2 - (26 hours)

Continuing directly from the previous unit, students will extend their abilities to compose songs within a variety of genres. They will further develop greater understanding of characteristic harmonic, melodic and rhythmic treatment of lyrics within various song genres, and learn to apply these conventions with their own writing.

MUZ221 – Principles of songwriting 3 - (26 hours)

Students will consolidate their writing skills in tandem with developing greater skills in recording and sequencing their musical ideas within various digital audio environments. More sophisticated mock ups of original ideas will be expected as well as complete realisations of songs both in printed and audio format. The art of collaboration will be introduced.

MUZ222 – Principles of songwriting 4 - (26 hours)

Students will integrate concepts, knowledge and skills acquired in the previous three units. Students will be required to craft complete arrangements of their original songs with fully notated instrumental parts and audio realisations. Collaboration with other writers is a requirement within this subject.

MUZ145 – Production principles 1 - (26 hours)

In this subject students will acquire the basic concepts of Acoustics as they relate to musical instruments and the environments in which they are played. Students will learn the core principles of recording with analogue and digital systems; theories of audio production and practice, live sound and live recording techniques in performance environments.

MUZ146 – Production principles 2 - (26 hours)

Consolidating and extending the concepts and knowledge acquired previously, students will further apply these principles in practise, using both analogue and digital recording methods as the basis for an introduction to mixing environments. Practical recording assignments make up a significant component of the course.

MUZ247 – Production styles 1 - (26 hours)

In this subject students will learn to apply principles of recording studio and session management; from pre-production and design, through to session engineering and production. Students will work with digital audio workstations undertaking various recording assignments. With reference to music recordings that exemplify the evolution of, and current practice in audio production, students will develop discrimination in identification of the use of a wide range of principles and methods of creative audio recording technologies and techniques.

MUZ248 – Production styles 2 - (26 hours)

Students will consolidate the skills and knowledge acquired to this point, developing greater independence in managing recording projects and fluency within the studio environment. More creative resources will be introduced; with access to an increasing number of external plug-in environments, for the analysis and the re-creation of seminal production ‘sounds’. Students will develop an appreciation of the techniques and aesthetic qualities inherent in internationally recognised award winning albums.

MUZ243 – Scoring for film and video 1 - (26 hours)

Through studying the compositional techniques of various film composers, students will acquire concepts, knowledge and skills, and apply these in scoring a series of short musical excerpts to accompany film sequences. Students will, in addition, learn how to synchronise their scores to digital film sequences.

MUZ244 – Scoring for film and video 2 - (26 hours)

Building on knowledge and skills acquired in the previous unit, the study of eminent Australian and international film composers will assist students to consolidate an understanding of the wide range of compositional techniques employed in scoring for film. Students will be required to compose and score a series of short film cues to a brief.

MUZ151 – Digital audio platforms 1 - (26 hours)

This subject is recommended for those who wish to extend knowledge and skills learnt in Music Technology 1. The subject explores a range of computer music systems and software. Content will change from year to year depending on the latest tools available to assist musicians develop their artistic product.

MUZ251 – Music publishing - (26 hours)

Students will focus on various music publishing software including advanced functions in Sibelius. Outcomes include the preparation of music scores to a publishable standard.




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Last published: 7 August 2008